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I
learned that as long as you work as a team and are patient, you
can create anything. Attending GFS opened my eyes to a whole new
realm of possibilities. It really gave me some confidence that I
was lacking before. This has been one of my greatest experiences
and I really want to pursue a career in this field. I know now that
it is hard work, but it¹s possible.
--Meghan,
17
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I feel it is very important for women to step
up and take an active, positive role in the film industry. This
school has helped me feel more positive about myself and who I
am because there is a commonality among us.
-- Ungelbah, 16
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THE PROGRAM
GFS is sponsored by the College of Santa Fe's (CSF) Moving Image Arts
Department, and is held annually on the CSF campus during the summer.
All funds for the school are raised through foundations and private donations.
The
pilot program held in June 2000, was a day program for high school girls
recruited from diverse ethnic, cultural and socio-economic backgrounds.
The 2001 program was a two-week residential film school held June 17-29,
2001. Participants lived on campus at CSF. Faculty and staff include college
mentors and a rotating faculty of moving image arts professionals.
During the film school, participants learn basic concepts of writing,
producing,
acting,
documentary,
editing,
sound,
cinematography
and web
site design. During evening screenings, the girls view a wide variety
of work by professionals in the moving image field, allowing them the
opportunity to engage in dialogue and critical thought. At the end of
the program, there is a public screening of the final projects in our
35mm theater, THE SCREEN.
GREAT
EXPECTATIONS
The objective of this program is to extend the knowledge and skill base
of high school girls. The introduction to moving image arts provided by
this program will afford participants an opportunity to expand their vision
and encourage them to consider this field as a viable future. A broader
objective is to provide them with the confidence and focus to embark on
the pursuit of continued education and to extend an awareness of their
options, including The College of Santa Fe's Moving Image Arts Department.
It is our
hope that, through public screenings of professional films by women filmmakers
as well as the exhibition of the participants' final projects, the absence
of women in technology and media will be brought to the foreground, and
women of all ages will be assisted and encouraged to contribute their
voices and exert their personal influence in the media industries.
In addition, GFS provides its CSF student mentors with recognition for
their advanced skills in moving image arts, and the opportunity to serve
as tutors and role models for GFS participants.
Other plans for the future of this program include the startup of a Woman's
Film Festival to run in conjunction with the summer program, and alliances
with other similar programs assisting young women in the arts and technology.
VITAL STATISTICS
In
Reviving Ophelia: Saving the Selves of Adolescent Girls, author Mary Pipher
makes this startling statement: "Something dramatic happens to girls
in early adolescence. Just as planes and ships disappear mysteriously
into the Bermuda Triangle, so do the selves of girls go down in droves.
They lose their resiliency and optimism and become less curious and inclined
to take risks." Numerous studies have corroborated this trend which,
according to reports by the American Association of University Women,
is exacerbated by an educational system that continues to favor male students.
A 1997 report
published by the Directors Guild of America showed that women represented
only 12.2% of memebership. Although the number of occupations in which
women take part has grown, some fields still show a lack of representation
by women, most notably, careers in science, engineering and technology.
At CSF there were 25 Moving Image Arts students in the 2000 graduating
class; five of them were women. Among the 65 incoming freshman in the
department in 2001, only 19 are women. No other department reports this
gender imbalance which, unfortunately, is reflected in nationwide research
which indicates that women at the five largest film schools make up only
36% of all incoming students (ÒBehind BarsÓ by Christine Spines, Premiere
magazine's "Women in Hollywood", January, 2000). According to
a report by the American Association of University WomenÕs Educational
Foundation (2000), while the gaps in math and science achievement have
narrowed for girls, a major new gender gap in technology has developed.
This imbalance urgently needs to be addressed.
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